On the other side, teh Seven just do not fit my main use case: i cannot put in on my shoulders and bring it around in Paris by metro, so my NE5HP is not in danger :->.
There is one additional sound source available that adds Moog samples to the library. The fact that you can mix and match Omni/Trilian/Keyscape sound sources to make custom patches makes this combination a real powerhouse. Well, that is a different story in term of sound, the basic Rhodes sound, no effect, no equalisation, on a small Roland Cube, it just blew me out of the water the dynamic, the relationship between the hand/keybed/sound is way above the Nord, in my humble and limited experience it must be said that i intentionally trained myself on the NE TP100 keybed, and the Seven have the same Fatar Keybed i am sure many people would prefer The Keyscape library is much more geared towards authentic, real-world instruments. I also tried my Nord connected to some VST Rhodes on my Mac frankly, there a few that i would prefer to play live instead of the Nord built in epianos, but i do not bring my Mac in rehersals/gigs, at least for now i have Komplete, that include a pretty good Rhodes (that i prefer over the Nord), and the Lounge Lizard and the Arturia, last two modelled i find all of them give more dynamics and in general more espressivity.Ī few days ago i tried a Crumar Seven.
If i was on the market for a piano, i would put them the CP73 in my short list.īut again, i am happier with the Nord, no reason to change. I recently tried a CP88 and a CP73 (but in a shop, not real conditions) and they seems fine, a good competition to the Nord. I have a Nord 5 HP, and i keep it as an overall good comprimise between my different needs.Ībout the Rhodes, i recently played (in rehersal, real use conditions) on a CP4 and on a Korg SV-1, i am happier with the Nord more precisely, i like the CP4, i do not like the SV-1 (touch+sound) but i like more the Nord.
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